American Psycho (2000) contiene unas suculentas escenas, que fueron eliminadas en la sala de montaje en parte por no provocar una calificación X (en la escena de las prostitutas se sustituyó la malsonante 'Asshole' por un simple 'ass'). Aún así , la película provocó la indignación de muchos, y en algunos países ni siquiera fue estrenada.
Personajes de las escenas eliminadas:
-Patrick Bateman 'Christian Bale' (Es el protagonista_ psicopata y millonario)
-Timothy Bryce 'Justin Theroux' (compañero de trabajo de Bateman y amigo suyo , que al igual que Patrick, se coloca con cocaína)
-Evelyn Williams 'Reese Witherspoon' (prometida de Patrick, rica, cursi, amante de Bryce. Bateman, su novio, no la soporta)
-Courtney Rawlinson 'Samantha Mathis' (novia de Luis Carruthers y amante de Patrick, se pasa el dia drogada con litio)
A continuación la TRANSCRIPCION EN INGLES de las escenas borradas, que suman un total de 5 videos cortos.
Los títulos son:
Deleted Scenes (escenas eliminadas)
1* PEOPLE ... WANNA GET CAUGHT (People... Wanna Get Caught)
El detective Kimball y Patrick Bateman se encuentran en la discoteca. Kimball le confiesa a Bateman que los culpables quieren ser atrapados.
2* I'M LEVAING (I'm Leaving)
Timothy Price (amigo y compañero de trabajo de Patrick, se encuentra muy inestable)
3* YOU WANT ME TO... FLOSS WITH IT (You Want Me to... Floss With It)
Bateman le acerca su aparato genital a la cara de Evelyn , mientras esta trata en vano de ver las noticias.
4* IS IT A RECEPTACLE TIP (Is It a Receptacle Tip?)
Courtney se enfada con Bateman por no tomar precauciones
5* NEVER DATE A VASSAR GIRL (Never Date a Vassar Girl)
Bateman y sus amigos charlan sobre mujeres: Nunca salgas con una chica de Vassar.
LOS VIDEOS DE LAS ESCENAS ELIMINADAS______
video 1: Entrevista y 'floss with it'
video 2: Receptacle tip
LEE EL GUION DE LA PELICULA EN CASTELLANO___________
http://www.cswap.com/2000/American_Psycho/cap/es/25fps/a/00_02#play
TRANSCRIPCIONES___________
1* PEOPLE... WANNA GET CAUGHT -People... Wanna Get Caught
INT. NIGHTCLUB - NIGHT
A big eighties nightclub with a mixed crowd: hip-hop
kids, visitors from Jersey, downtown art people, yuppies.
I Bateman makes his way through the crowd to the bar, and
tries to attract the bartender's attention. He is wearing a
suit and his tie is loosened. Kimball approaches him.
KIMBALL
Mr. Bateman?
Bateman gasps and recovers.
BATEMAN
Detective Kendall...uh Campbell?
KIMBALL
Kimball.
(Extending his hand)
Call me Don.
BATEMAN
Don.
KIMBALL
So...you hang out here a lot?
BATEMAN
Uh, yes...I mean...whenever necessary. You
know.
Pause.
BATEMAN
How's the investigation going? Taken anyone
in for "formal questioning?" (He makes quotation marks
in the air and laughs a not-so-relaxed laugh)
KIMBALL
0h no. Informal conversations, mostly. What's that, Stoli?
BATEMAN
Yeah. No Finlandia, as usual. Fucking dump.
KIMBALL
(Looking at his glass)
Too true. You know, Bateman-people tend to reveal so much
more about themselves when they're in a relaxed setting,
don't you think?
Bateman is nodding nervously, idiotically.
KIMBALL
Some people just can t help themselves. Another Stoli?
Bateman shakes his head.
KIMBALL
I mean they want to get caught.
BATEMAN
Dan, great to see you again. Like I said, you need
anything at all, I'm your man. I don't envy your job. I mean
Owen was a...complex man.
Bateman wanders away.
He looks back uneasily at KIMBALL, who is watching him from
the bar. A GUY WITH DREADLOCKS walks by.
BATEMAN
(Holding up his hand to high-five) Rasta Man!
The man stares at him.
BATEMAN
I mean-Mon. We be jammin'...
The man walks by, shaking his head.
*************************
I'M LEAVING-
2* I'm Leaving
MUCH LATER IN THE EVENING:
The club is half-empty now. Price is leaning over a
balcony, messed-up on drugs. Bateman comes up behind him
in a menacing way that suggests he might push him over
the railing. Price turns around, wild-eyed, just as Bateman
is reaching for him.
PRICE
(Shouting)
I'm leaving. I'm getting out.
BATEMAN
Leaving what?
PRICE
This.
Bateman is confused, he thinks Price is referring to his
drink.
BATEMAN
Don't, I'll drink it.
PRICE
(Screaming)
Listen to me, Patrick. I'm leaving.
BATEMAN
Where to? Are you going to go get a gram?
PRICE
I'm leaving! I...am...leaving!
BATEMAN
Don't tell me...merchant banking?
PRICE
No, you dumb son of a bitch. I'm serious. I'm
disappearing.
BATEMAN
(laughing)
Where to? Morgan Stanley? Rehab? What?
Price looks away.
McDermott and Daisy walk up to them.
McDERMOTT
Hey-don't worry, be happy.
Price lifts his arms up as if greeting the crowd and is
shouting something that can't be heard, then
PRICE
Goodbye! Fuckheads!
He climbs over the railing.
DAISY What is he doing?
BATEMAN
Price! Come back!
Price leaps from the balcony. He disappears for a moment
then resurfaces and runs off into the crowd.
********************
FLOSS WITH IT- 3* You Want Me to... Floss With It
NT. EVELYN'S BEDROOM - LATER THE SAME EVENING
Bateman and Evelyn are lying on her bed watching television.
BATEMAN
Why don t you just go for Price?
EVELYN
Oh God, Patrick. Why Price? Price?
BATEMAN
He's rich.
EVELYN
Everybody's rich.
BATEMAN
He's good-looking.
EVELYN
Everybody's good-looking, Patrick.
BATEMAN
He has a great body
EVELYN
Everybody has a great body now.
Bateman unbuttons his shirt and makes advances to get
Evelyn to have sex with him. She ignores him, watching the
Home Shopping Channel with the remote in her hand. Finally,
he straddles her, penis close to her face. She tries to
look around him at the TV, then takes notice.
EVELYN
What do you want to do with that, floss with it?
Bateman flops back down beside her and stares at the television.
EVELYN
Are you using minoxidil?
BATEMAN
No. I'm not. Why should I ?
EVELYN
Your hairline looks like it's receding.
BATEMAN
It's not.
******************
RECEPTACLE TIP- 4* Is It a Receptacle Tip?
INT. COURTNEY'S BEDROOM - NIGHT
Bateman and Courtney are in Courtney's bed. Bateman is on
top of her, reaching for a condom in the ashtray. He tears
it open with his teeth, puts it on.
COURTNEY
(Dazed on lithium)
I want you to fuck me.
Bateman gets on top of her, starts to fuck her.
COURTNEY
Luis is a despicable twit.
BATEMAN
Yes, Luis is a despicable twit. I hate him.
He keeps fucking her.
COURTNEY
No, you idiot. I said "Is it a receptacle tip?"
Not, is Luis a despicable twit. Is it a receptacle tip?
Get off me.
BATEMAN
Is it a what?
COURTNEY
Pull out.
BATEMAN
I'm ignoring you.
COURTNEY
(screaming)
Pull out, goddamnit!
BATEMAN
(Slowing down but not stopping)
What do you want, Courtney?
She pushes him away from her.
BATEMAN
It's a plain end. I think.
COURTNEY
Turn the light on.
She tries to sit up.
BATEMAN
Oh Jesus. I'm going home.
COURTNEY
Patrick. Turn on the Light.
He turns on the light.
BATEMAN
It's a plain end, see? So?
COURTNEY
Take it off.
BATEMAN
Why?
COURTNEY
Because you have to leave half an inch at the tip –
(She covers herself with her comforter)
to catch the force of the ejaculate!
BATEMAN
I'm getting out of here. Where's your lithium?
Courtney throws a pillow over her head and starts crying.
COURTNEY
(Screaming)
Do you think you're turning me on by having unsafe sex?
Bateman pulls the pillow off her and slaps her face.
BATEMAN
Oh Christ, this really isn't worth it. And see,
Courtney, it's there for what? Huh? Tell us.
(He slaps her again lightly)
Why is it pulled down half an inch?
So it can catch the force of the ejaculate!
COURTNEY
(Choking crying)
Well, it's not a turn-on for me.
I have a promotion coming to me. I don't want to get AIDS.
Bateman grabs her head and makes her look at the condom.
BATEMAN
See? Happy? You dumb bitch? Are you happy, you dumb bitch?
COURTNEY
Oh God, just get it over with.
He fucks her quickly until he has a mediocre orgasm and
falls down next to her. They lie side by side with their
bodies not touching, eyes open, staring at the
ceiling.
*************************
VASSAR GIRL- 5* Never Date a Vassar Girl
INT. LIMOUSINE - NIGHT
Bateman is pouring vintage champagne into flutes. Price is
lighting up a cigar.
McDERMOTT
Last week I picked up this Vassar chick-
VAN PATTEN
Oh God, I was there. I don't need to hear this
story again.
McDERMOTT
But I never told you what happened afterwards. So
okay, I pick up this Vassar chick at Tunnel-hot number, big
tits, great legs, this chick was a little hardbody-and so I
buy her a couple of champagne kirs and she's in the city on
spring break and she's practically blowing me in the
Chandelier Room and so I take her back to my place-
BATEMAN
Whoa, wait. May I ask where Pamela is during all
this?
McDERMOTT
Oh fuck you. I want a blowjob, Bate-man. I want a chick
who's gonna let me-
VAN PATTEN
(Putting his hands over his ears)
I don't want to hear this. He's going to say something
disgusting.
McDERMOTT
You prude. Listen, we're not gonna invest in a co-op
together or jet down to Saint Bart's. I just want some
chick whose face I can sit on for thirty, forty minutes.
Price throws a cigar at McDermott, who catches it.
McDERMOTT
Anyway, so we're back at my place and listen to
this. She's had enough champagne by now to get a fucking
rhino tipsy, and get this-
VAN PATTEN
She let you fuck her without a condom?
McDERMOTT
This is a Vassar girl. She's not from Queens. She
would only-are you ready?
(Dramatic pause)
She would only give me a handjob, and get this...she kept
her glove on.
The men sit in shocked, horrified silence.
ALL IN UNISON Never date a Vassar girl.
-------------------------------------------------------
ESTRUCTURA/MENU DE LA PELICULA
Scene Index
Side #1 --
1. Main Titles/ Dinner and Dancing [4:42]
2. My Name Is Patrick Bateman [4:24]
3. Traditional Moral Values [6:08]
4. Calling Cards [4:52]
5. Mask of Sanity [4:40]
6. Hip to Be Square [6:28]
7. Detective Kimball [5:47]
8. Making Plans [3:00]
9. In Too Deep [5:19]
10. Card Envy [4:12]
11. Returning Videotapes [2:16]
12. Can We Talk? [3:25]
13. Murders & Executions [4:07]
14. So Many Possibilities [5:29]
15. Discussing Alibis [4:14]
16. Totally Disease Free [3:11]
17. Greatest Love of All [3:08]
18. Erratic Behavior [2:58]
19. Shooting Spree [3:19]
20. A Pretty Sick Guy [3:07]
21. Paul's Apartment [5:14]
22. Simply Not Possible [4:05]
23. No Catharsis [2:43]
24. End Credits [4:55]
ESPECIAL FEATURES
Deleted Scenes
People... Wanna Get Caught
I'm Leaving
You Want Me to... Floss With It
Is It a Receptacle Tip?
Never Date a Vassar Girl
Play All
With Commentary by Director and Co-Writer Mary Harron: On
With Commentary by Director and Co-Writer Mary Harron: Off
-------------------------------------------------------
OTRAS WEBS RELACIONADAS CON 'AMERICAN PSYCHO' (psicópata americano)
*GUION ORIGINAL
Si quieres leer el SCRIPT//GUION original de AMERICAN PSYCHO, está disponible en esta web (no aparecen las escenas eliminadas):
http://www.script-o-rama.com/movie_scripts/a/amercan-psycho-script-transript-bale.html
*GUION EN CASTELLANO
http://www.downloadmoviesubtitles.com/subtitles/na/1007043051-9-American%20Psycho.sub
*LA NOVELA DE BRET EASTON ELLIS
http://www.dailyscript.com/scripts/american_psycho_unproduced.html
*mas peliculas
http://video.barnesandnoble.com/CastCrew/Christian-Bale/c/104632
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